Laurent Bolognini
Laurent Bolognini was born in Saint Germain en Laye (France) in 1959. After studies at the “Societé Française de Photographie,” he launched in a career of light designer from 1990 onward. He conceived and realized his first « Galiléographe » in 1998. The device was meant to generate a luminous backdrop for Berlioz Benvenuto Cellini, a concept he created in partnership with Francoise Henry during their collaboration as a group “Les Alternateurs Volants” (1998-2006).
His “Galiléographe Nr.1” was exhibited at the “Espace Electra”, rue Récamier, Paris, in 1999. The year 2000 was the starting point of a long adventure, involving two different sorts of partnerships, some being the interweaving of his plastic work with the performing arts, others with the musical world. The outcome of this approach was to become the substance of further exhibitions and performances. “Illumination” exemplifies the transition from the performing arts to the plastic arts per se. A composition by Frederic Costa was at the core of “Galiléographe Nr. 1”, a light and sound performance. 2001 : Laurent Bolognini designed the “Olympia” Galiléographie, a luminous backdrop for The Tales of Hoffmann, staged by Olivier Py at the Geneva Grand Théâtre. The artist also cooperated with musical circles, providing light installations for improvised concerts. Such was the case aound a composition by Patrice Moulet at the Théâtre de Compiègne, or at the festival “Musique Démesurée” presented at the Clermont-Ferrand Opera, or still at the Metz Arsenal for a concert entitled “Antre ciel” (Celestial Den). There, his luminous designs created a light environment in tune with compositions by Grisey, Xenakis, D’Adamo, Narboni, Matalon. In Great-Britain, he worked together with the Arcanes Quatuor, both in London and Cambridge.
While regularly exhibiting in art galleries, Bolognini was several times offered to share in artistic events of importance, such as the Venice Architecture Biennal, the Paris Nuits Blanches or the Cassel Nuit des Musées. “Electra” — his kinetic light work — has recently entered the MAC/VAL permanent collections.
His “Galiléographe Nr.1” was exhibited at the “Espace Electra”, rue Récamier, Paris, in 1999. The year 2000 was the starting point of a long adventure, involving two different sorts of partnerships, some being the interweaving of his plastic work with the performing arts, others with the musical world. The outcome of this approach was to become the substance of further exhibitions and performances. “Illumination” exemplifies the transition from the performing arts to the plastic arts per se. A composition by Frederic Costa was at the core of “Galiléographe Nr. 1”, a light and sound performance. 2001 : Laurent Bolognini designed the “Olympia” Galiléographie, a luminous backdrop for The Tales of Hoffmann, staged by Olivier Py at the Geneva Grand Théâtre. The artist also cooperated with musical circles, providing light installations for improvised concerts. Such was the case aound a composition by Patrice Moulet at the Théâtre de Compiègne, or at the festival “Musique Démesurée” presented at the Clermont-Ferrand Opera, or still at the Metz Arsenal for a concert entitled “Antre ciel” (Celestial Den). There, his luminous designs created a light environment in tune with compositions by Grisey, Xenakis, D’Adamo, Narboni, Matalon. In Great-Britain, he worked together with the Arcanes Quatuor, both in London and Cambridge.
While regularly exhibiting in art galleries, Bolognini was several times offered to share in artistic events of importance, such as the Venice Architecture Biennal, the Paris Nuits Blanches or the Cassel Nuit des Musées. “Electra” — his kinetic light work — has recently entered the MAC/VAL permanent collections.
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